In several of his works he has collaborated with other artists and even in art and science crossover projects, e.g. After the end of Time - a selection of recorded interviews with some of the world's most prominent neuroscientist in a musical and poetic interpretation of the latest scientific knowledge about consciousness, death and electrical cascades into the collapsing brain. Another example is Holocene Oartorio for large orchestra, choir and soprano. A collaboration that started in the artist programme on a scientiffic expedition to the Arctic
under the auspices of the Swedish polar research secretariat Beringa 2005. 7 Juli Media Oratotio - a newspaper set to music. One day in the world, page after page. Just that very day, with all the means of tragikomik, The words and fates from the flow of births, wars, stock market chronicles, personal ads, weather forecasts ...
World premiere at Folk och Kultur of INHABITANTS duo part three. Live in studio recordings of INHABITANTS two and three in November. CHROMATIC CONGRUENCE, concerts and new compositions.
Habitat, an immersive installation. CHROMATIC CONGRUENCE, concerts and new compositions.
The open structure of Chromatic Congruence is applicable even to other composition techniques. The possibilities of creating individual scales and chords within the structure are limitless. Even to use traditional chord progressions in a single step of the structure and then continue to the next key is possible. The uniqueness of the structure is the way it moves between the keys. It makes it useful in many different musical contexts.
/Concepts